Ahl-e-Mohabbat

Front:

The front of Ahl-e-Mohabbat opens with a deeply artistic expression titled “Vshey”, symbolizing raw emotion and untamed love. Alongside the title, a delicate floral motif is illustrated, paired with a needle and thread representing the stitching together of emotions, memories, and broken moments. A finely crafted cut panel is placed at the center, featuring a boy and a girl sitting together on a swing, capturing a soft, nostalgic moment of togetherness. Right beside the boy, a beautifully arranged bouquet of flowers is placed, symbolizing affection and emotional connection. Another prominent patch element carries a poetic Balochi line: “Mann wati Jenda Shamosha’n Wahde Tai Deedar Bi” (When I see you, I forget my very self) Behind all these elements lies a subtle floral background pattern within the cut panel, kept in a very soft and muted tone to maintain elegance and depth without overpowering the main artwork.

Back:

The back side begins with a full-surface cultural heritage pattern, inspired by old architectural wall designs that traditionally narrate stories of love, union, and emotional encounters from classic cultural history. At the lower section, a cut panel illustration shows a boy and a girl riding a bicycle together, representing movement through memories, companionship, and shared journeys of love. Another dedicated cut panel section features multiple patch elements. These patches are designed like Polaroid-style snapshots, as if moments are being pulled directly from memory. Each patch carries a unique artwork along with a poetic line, making every piece emotionally distinct. This entire back composition represents the phase of love marked by separation, betrayal, and melancholy. It reflects the emotional downfall of relationships where love transforms into longing, silence, and sadness.